Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Anh Nguyen - Koi Kite in Winter
Anh Nguyen
Koi Kite in Winter
Introductory comments
This vibrant painting presents a dynamic and expressive landscape, with a strong interplay of visual elements that convey a sense of movement, energy, and a connection to the natural world.
The dominant lines in the composition are the sweeping, diagonal strokes that guide the viewer's eye through the scene. These dynamic lines, which form the contours of the landscape and the shapes of the foliage, create a sense of forward momentum and a feeling of the wind blowing through the scene.
The shapes and forms in the painting are a mix of organic, natural elements and more geometric, man-made structures. The lush vegetation, with its irregular, branching forms, contrasts with the angular roofs and buildings in the distance, creating a visually compelling tension and variety within the composition.
The color palette is bold and expressive, with vibrant greens, blues, and yellows that heighten the sense of energy and vitality. The artist's use of complementary colors, such as the red accents in the foreground, further enhances the visual dynamism and draw the viewer's attention to specific focal points.
The overall sense of balance in the painting is somewhat asymmetrical, with the weight of the composition tilting towards the left side. This asymmetry, combined with the diagonal lines and the sense of movement, creates a feeling of visual instability and dynamism that is reinforced by the textural quality of the brushwork.
The use of space in the painting is also noteworthy, with the distant cityscape providing a sense of depth and scale that contrasts with the more immediate, tactile quality of the foreground elements. This interplay between the deep, panoramic view and the more intimate, close-up details helps to create a sense of immersion and engagement for the viewer.
Overall, the painting's skillful use of line, shape, color, and texture work together to convey a vivid and expressive interpretation of the natural landscape, evoking a sense of energy, movement, and a connection to the broader world beyond the immediate scene.
Anh Nguyen
Koi Kite in Winter
Formal Analysis
This vibrant landscape painting showcases the artist's expressive use of various art elements and principles of design to capture the essence of the scene.
Color:
The color palette is rich and bold, with a harmonious blend of warm and cool tones. The deep blues of the sky and ocean contrast beautifully with the vibrant greens and yellows of the foreground vegetation. The splashes of red, pink, and orange add pops of energy and visual interest throughout the composition.
The artist's use of color is not necessarily realistic but rather serves to evoke a sense of energy, atmosphere, and emotion within the painting.
Brushwork and Texture:
The brushwork is loose, gestural, and expressive, with visible brushstrokes and a textural quality that adds depth and liveliness to the painting. The varied application of paint, ranging from thick impasto to thin washes, creates a sense of tactility and movement within the scene.
The textural elements, such as the rough, uneven surfaces of the vegetation and the smooth, reflective quality of the water, contribute to the overall sensory experience of the painting.
Composition and Perspective:
The composition is dynamic and asymmetrical, with the viewer's gaze drawn into the depth of the scene. The diagonal lines of the road and the tilted power lines lead the eye towards the distant town and the horizon, creating a sense of depth and spatial relationships.
The use of a high vantage point and a slightly elevated perspective gives the viewer a panoramic view of the landscape, allowing them to take in the expansive scene.
The painting's overall sense of vitality and movement, combined with the artist's expressive use of color and brushwork, evoke a feeling of joy, energy, and a connection to the natural world.