Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Annie Ho - kowloon city
Annie Ho
Kowloon city
Introductory comments
This striking watercolor painting showcases the artist's mastery of the medium in capturing the essence of a traditional Asian architectural scene. The interplay of various visual elements and design principles creates a visually engaging and evocative composition.
The dominant formal element in this work is line. The artist has employed expressive, dynamic brushstrokes to define the structures and create a sense of movement throughout the scene. The lines vary in thickness and intensity, guiding the viewer's eye through the complex architectural forms.
The shapes in the painting are primarily geometric, with the buildings and structures exhibiting a strong angular quality. This angular, cubistic approach adds a sense of depth and solidity to the scene, while the irregular shapes of the roofs and overhangs introduce an organic, dynamic quality.
The color palette is muted, with the artist relying on a harmonious blend of earthy tones and cool hues. The warm browns, grays, and blues create a sense of atmosphere and depth, while the splashes of pink and yellow introduce subtle pops of contrast and emphasis.
The textural quality of the painting is characteristic of the watercolor medium, with visible brushstrokes and the interplay of wet and dry areas adding a sense of spontaneity and immediacy to the work. This textural quality complements the gestural quality of the lines, reinforcing the sense of movement and energy.
In terms of design principles, the artist has achieved a strong sense of unity through the consistent use of angular architectural forms and the repetition of design elements, such as the eaves and the signage. The variety in line quality, shape, and color introduces visual interest and draws the viewer's attention to specific areas of the composition.
The convergence of the diagonal lines and the positioning of the signage create a sense of emphasis, guiding the viewer's eye to the central focal point of the scene. This, coupled with the rhythmic quality of the brushstrokes and the dynamic interplay of light and shadow, generates a harmonious, yet energetic, visual experience.
The artist's masterful handling of the formal elements – line, shape, color, value, and texture – and the skillful application of design principles, such as unity, variety, emphasis, and rhythm, have resulted in a deeply evocative and atmospheric watercolor painting that captures the essence of a traditional Asian architectural setting.
Annie Ho
Kowloon city
Formal Analysis
Formal Analysis of the Painting:
This evocative watercolor painting captures the weathered, textural qualities of an old Asian building. Let's examine the key art elements and principles of design at play:
Color:
The color palette is muted, with a predominance of cool tones such as blues, greens, and grays. However, there are accents of warmer hues, such as the hints of red and yellow, that add depth and visual interest to the composition.
The use of washes and layered colors creates a sense of atmosphere and a feeling of the passage of time.
Line and Shape:
The lines used to depict the architectural elements, such as the roof and walls, are expressive and dynamic. They have a sense of movement and energy, conveying the weathered, organic nature of the structure.
The shapes of the buildings and structures are angular and geometric, juxtaposed with the more organic, irregular shapes of the detailing and textures.
Texture:
The painting showcases a remarkable textural quality, achieved through the loose, expressive brushwork and the application of various wet and dry media. The mottled, dripping effects and the visible brushstrokes create a sense of age and deterioration, enhancing the sense of the building's history and the passage of time.
Composition and Perspective:
The painting employs a deep, receding perspective, with the buildings and structures leading the viewer's eye into the depth of the scene. This creates a sense of depth and spatial relationships, drawing the viewer into the environment.
The off-center composition and the asymmetrical placement of the elements add a sense of dynamism and visual interest to the overall composition.
Symbolism and Cultural References:
The inclusion of Chinese characters and the architectural style of the building suggest a specific cultural context, inviting the viewer to engage with the unique aspects of this Asian setting.
The overall muted color palette and textural quality evoke a sense of nostalgia and the passage of time, hinting at the history and changing nature of the environment.
Through the skillful use of various art elements and design principles, the artist has created a captivating and evocative representation of an aged, weathered Asian building, inviting the viewer to contemplate the passage of time and the enduring presence of cultural traditions.