Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Ashley Frost - Escarpment Forest
Ashley Frost
Escarpment Forest
Introductory comments
This painting presents a lush, vibrant, and visually captivating depiction of a forest landscape. The interplay of the various visual elements and design principles work together to create a sense of immersive natural beauty and tranquility.
The dominant elements are the towering, organic forms of the tree trunks that stretch vertically across the canvas. These strong, angular lines and shapes provide a structural foundation, guiding the viewer's eye through the composition. The varied tones and textures of the tree bark add visual interest and depth, creating a sense of tactile realism.
Contrasting with the vertical tree trunks are the sweeping, undulating shapes of the foliage, which fill the frame with a vibrant tapestry of greens, yellows, and oranges. The dynamic, flowing forms of the leaves and underbrush introduce a sense of movement and rhythm, further enhancing the lively, natural energy of the scene.
The artist's masterful use of color creates a harmonious and cohesive whole. The cool, muted tones of the sky and shadows are balanced by the warm, saturated hues of the vegetation, while the occasional pops of vivid color, such as in the foreground flowers, add visual emphasis and focal points.
The overall composition exhibits a strong sense of balance and symmetry, with the trees and foliage filling the frame in a visually pleasing and naturalistic manner. However, the asymmetrical placement of elements, such as the varying heights and positions of the trees, introduces an element of variety and dynamism, preventing the scene from feeling static or forced.
The generous use of negative space, particularly in the sky and background, further contributes to the sense of depth and atmosphere, allowing the viewer to fully immerse themselves in the tranquil, verdant world depicted.
Through the strategic use of visual elements and design principles, the artist has crafted a captivating and evocative representation of the natural world, inviting the viewer to engage with the beauty and wonder of the forest landscape.
Ashley Frost
Escarpment Forest
Formal Analysis
Line:
The painting is dominated by the strong, vertical lines of the tree trunks, which bisect the canvas and provide a structural framework for the composition. The trunks exhibit a variety of angled and curved lines, creating a sense of movement and depth. Contrasting with the verticality of the trees are the flowing, sinuous lines of the foliage, which create a sense of organic rhythm and energy.
Shape and Form:
The primary shapes in the painting are the cylindrical tree trunks, which rise up from the picture plane. These organic, volumetric forms are balanced by the amorphous, irregular shapes of the leaves and underbrush, which fill the negative spaces between the trunks. Together, the interplay of these geometric and organic shapes creates a dynamic, three-dimensional quality to the overall composition.
Color and Value:
The painting showcases a vibrant, harmonious color palette, with the cool, muted tones of the sky and shadows contrasting with the warm, saturated hues of the foliage. Shades of green, yellow, and orange predominate, creating a lush, verdant atmosphere. The artist's skillful use of value, with areas of light and shadow, adds depth and dimensionality to the scene.
Texture and Surface:
The textural qualities of the painting are evident in the varied surfaces of the tree bark, which exhibit a rough, tactile quality. The thick, expressive brushstrokes used to render the foliage create a sense of movement and energy, while the smooth, blended areas of the sky and shadows provide a sense of atmospheric depth.
Spatial Relationships:
The painting exhibits a strong sense of depth and three-dimensionality, with the towering tree trunks receding into the distance and the layered, overlapping foliage creating a sense of recession and spatial depth. The generous use of negative space, particularly in the sky, further enhances the sense of depth and atmosphere.
Overall, the formal elements of the painting work together to create a visually captivating and harmonious representation of a forest landscape, inviting the viewer to engage with the beauty and wonder of the natural world.