Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Bruce Lattimer - Trees at Sea
Bruce Lattimer
Trees at Sea
Introductory comments
This vibrant painting presents a harmonious interplay of visual elements that collectively convey a sense of balance and tranquility. The composition is dominated by the lush, verdant foliage in the foreground, with large, elongated leaves that create a strong, diagonal line leading the viewer's eye into the scene.
The varying shades of green in the leaves provide a rich, textural contrast, while the bright, red accents of the flowers introduce a striking burst of complementary color that draws the eye and creates a focal point. The soft, purple hues of the blooming branches in the upper right corner further enhance the sense of harmony, as they echo the greenery below and balance the composition.
The use of space is particularly effective, with the towering, rocky cliffs in the background providing a strong sense of depth and scale, while the small, clustered buildings in the distance suggest a sense of human habitation amidst the natural landscape. This creates a cohesive and visually compelling scene that invites the viewer to explore and immerse themselves in the tranquil, dreamlike atmosphere.
Overall, the painting's use of line, shape, color, and texture work together to create a sense of balance, harmony, and visual interest, effectively communicating the artist's vision of a serene, natural setting.
Bruce Lattimer
Trees at Sea
Formal Analysis
This vibrant painting depicts a serene natural landscape infused with a sense of whimsy and dreamlike quality. Let's examine the key art elements and principles of design at play:
Color:
The color palette is rich and boldly contrasted, with the deep blue sky providing a striking backdrop for the vibrant foliage. The combination of the warm, fiery orange and the cool, lavender hues of the blooming trees creates a visually captivating and harmonious color scheme.
The use of these vivid, saturated colors contributes to the overall sense of energy and liveliness within the painting.
Form and Texture:
The shapes of the leaves and foliage are rendered with a sense of volume and dimensionality, evoking a tangible, organic quality. The textural details, such as the intricate patterns on the leaves and the varied brush strokes, add depth and a tactile quality to the scene.
The juxtaposition of the flat, geometric shapes of the architectural elements and the more organic, flowing forms of the natural elements creates a sense of visual tension and interest.
Composition and Perspective:
The painting employs a balanced, symmetrical composition, with the central focus on the lush, tropical foliage. The use of a low, frontal perspective places the viewer at eye level with the scene, fostering a sense of immersion and connection with the environment.
The layering of the different elements, from the foreground foliage to the distant mountains and buildings, creates a sense of depth and spatial relationships within the composition.
Symbolism and Narrative:
The painting evokes a sense of tranquility and harmony, with the natural elements seemingly in perfect balance with the human-made structures in the background. The vibrant, almost otherworldly colors and the dreamlike quality of the scene suggest a place of refuge and escape from the everyday.
The inclusion of the architectural elements, such as the buildings and boats, introduces a subtle narrative, hinting at the coexistence of the natural and the man-made within this idyllic setting.
Through the masterful use of color, form, texture, and composition, the artist has crafted a captivating and imaginative landscape that invites the viewer to immerse themselves in a world of natural beauty and enchantment.