Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Darren Munce - Sigmars Smallgoods
Darren Munce
Sigmars Smallgoods
Introductory comments
This painting exhibits a dynamic and visually engaging abstract composition that skillfully utilizes various visual elements and design principles to create a compelling work of art.
The predominant formal element in this painting is shape. The composition is dominated by bold, organic forms in a range of vibrant colors, including oranges, blues, pinks, and greens. These shapes are irregularly shaped and positioned in a seemingly random yet intentional manner, creating a sense of movement and energy across the canvas.
The use of color is equally striking, with the artist employing a vibrant and contrasting palette that adds to the overall visual impact of the work. The colors are applied in a bold, expressive manner, with areas of overlap and blending that create a sense of depth and layering within the composition.
The textural quality of the paint surface is also an important aspect of this work. The brushstrokes are visible, and the paint application varies from thick, impasto-like areas to thinner, more translucent washes. This textural diversity contributes to the overall sense of materiality and tactility, evoking a physical, sensory response in the viewer.
In terms of the design principles, the painting exhibits a strong sense of unity through the consistent use of the organic, abstract shapes and the overall color palette. However, the variety in the size, placement, and overlapping of the forms introduces a sense of visual contrast and dynamism that keeps the viewer's attention engaged.
The emphasis in the painting is not centered on a single focal point, but rather distributed throughout the work, with the viewer's eye constantly drawn to new areas of interest. This contributes to the sense of movement and rhythm, as the viewer's gaze navigates the varied elements of the composition.
The balance in the painting is primarily asymmetrical, with the shapes and colors arranged in a seemingly random yet visually harmonious manner. This asymmetry adds to the sense of natural, organic energy that permeates the work, and creates a sense of visual tension and dynamism.
Overall, this painting is a captivating and visually engaging abstract work that effectively communicates a sense of energy, movement, and materiality through the masterful use of various visual elements and design principles. The result is a dynamic and harmonious composition that invites the viewer to engage with the work on a deeper, sensory level and efficiency.
Darren Munce
Sigmars Smallgoods
Formal Analysis
Composition and Spatial Organization:
The overall composition of the painting fills the entire canvas, creating a visually dense and immersive experience for the viewer. The shapes and forms are arranged in a dynamic, asymmetrical manner, with no clear focal point or center of interest. This creates a sense of visual tension and movement, as the eye is drawn to explore the various elements within the frame.
Shape and Form:
The dominant visual elements in the painting are the bold, organic shapes that define the composition. These shapes vary in size, ranging from large, sweeping forms to smaller, more intricate details. The shapes themselves have a distinctive, biomorphic quality, evoking natural, organic forms. The shapes overlap and intersect, creating a sense of depth and layering within the two-dimensional space.
Color and Palette:
The color palette of the painting is vibrant and highly saturated, with a range of hues including oranges, blues, pinks, and greens. The colors are applied in a bold, expressive manner, with areas of blending and contrast creating a sense of visual dynamism. The colors play a critical role in the overall visual impact of the work, contributing to the sense of energy and movement.
Texture and Surface:
The surface of the painting has a distinct textural quality, with visible brushstrokes and a range of paint application techniques. In some areas, the paint is applied in thick, impasto-like strokes, while in others, it is more thinly washed and transparent. This variation in texture adds to the overall tactile quality of the work, inviting the viewer to engage with the materiality of the painting.
Light and Atmosphere:
The painting has a sense of internal luminosity, with the colors and forms appearing to be infused with a sense of light. This creates a sense of depth and atmospheric quality, as the viewer is unsure whether the forms are floating or situated within a specific environment.
Overall, this abstract painting is a visually compelling and conceptually engaging work that employs a range of formal elements and design principles to create a dynamic and immersive visual experience. The artist's masterful use of shape, color, texture, and composition effectively communicates a sense of energy, movement, and materiality, inviting the viewer to engage with the work on a sensory and emotional level.