Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Eric Niebuhr - TPC#3
Eric Niebuhr
TPC#3
Introductory comments
This abstract artwork features a complex and dynamic composition that employs various visual elements and design principles to convey a sense of movement, energy, and visual intrigue.
The predominant visual element is line, which is used extensively to create a web-like, interconnected structure that occupies the majority of the pictorial space. These lines are varied in their thickness, direction, and curvature, producing a sense of visual tension and dynamism. The intersecting lines create a multitude of geometric shapes and forms, ranging from triangles and rectangles to more organic, amorphous shapes.
The use of color is also significant, with a vibrant palette consisting of red, blue, green, and various shades of gray. The application of these colors is not uniform, but rather creates a sense of contrast and visual rhythm. The colors are not blended seamlessly, but rather applied in distinct, segmented areas, adding to the overall sense of visual complexity and energy.
The value/tone of the work is also noteworthy, with the darker, muted grays providing a sense of depth and shadow, while the brighter, more saturated hues create a sense of visual emphasis and focal points. The use of texture is also evident, with the surface of the painting appearing somewhat rough and uneven, adding to the sense of materiality and tactility.
In terms of design principles, the work exhibits a strong sense of unity and harmony, as the various visual elements work together to create a cohesive and visually compelling whole. The asymmetrical balance and lack of obvious symmetry, however, contribute to a sense of movement and dynamism, drawing the viewer's eye across the canvas.
The overall impression is one of a complex, interconnected system or network, with the various visual elements working together to create a sense of visual energy and intrigue. The lack of explicit representational imagery allows the viewer to engage with the work on a more abstract, conceptual level, inviting them to explore the relationships between the various visual elements and the meanings they might convey.
Eric Niebuhr
TPC#3
Formal Analysis
Formal Analysis:
Compositional Structure: The composition is dominated by an intricate network of intersecting lines that create a web-like, non-representational structure. The lines vary in thickness, direction, and curvature, producing a dynamic, energetic quality.
Line: Line is the primary visual element, used extensively to build the composition. The lines have an expressive, gestural quality, with both organic, curving forms and more geometric, angular elements.
Shape & Form: The intersecting lines generate a variety of shapes, including triangles, rectangles, and more amorphous, organic forms. These shapes and forms create a sense of depth and layering within the picture plane.
Color: The palette is vibrant, consisting of bold reds, blues, greens, and grays. The colors are applied in distinct, segmented areas, creating visual contrast and a sense of fragmentation.
Value/Tone: The use of lighter and darker tones, particularly the muted grays, creates a sense of depth and shadow, adding to the work's overall sense of dimensionality.
Texture: The surface of the painting has a rough, uneven quality, suggesting a sense of materiality and tactility.
Design Principles:
Unity & Harmony: Despite the visual complexity, the various elements work together cohesively, creating a sense of visual unity and harmony.
Asymmetrical Balance: The asymmetrical, off-center composition contributes to a sense of dynamic balance and movement, drawing the viewer's eye across the canvas.
Rhythm & Repetition: The repetition of the intersecting lines and geometric forms creates a sense of visual rhythm and movement.
Emphasis & Dominance: The bold, saturated colors and gestural lines draw the viewer's attention and create a sense of emphasis and visual dominance.
Overall, this abstract artwork employs a sophisticated interplay of visual elements and design principles to create a dynamic, visually compelling composition that invites the viewer to engage with its formal qualities and explore its potential meanings.