Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Eric Niebuhr - TPC#5
Eric Niebuhr
TPC#5
Introductory comments
This abstract painting presents a visually captivating and complex composition. The dynamic interplay of line, shape, and color creates a sense of movement and energy that draws the viewer in.
The dominant lines, in various shades of pink, white, and blue, weave together to form a web-like structure. These intersecting and overlapping lines generate a strong sense of rhythm and pattern across the canvas. The lines have an organic, almost biomorphic quality, suggesting a connection to natural forms.
The shapes within this linear framework are irregular and asymmetrical, creating a sense of visual variety and tension. These shapes are filled with a diverse palette of colors, including warm tones of red and yellow, as well as cooler blues and greens. This color scheme adds depth and complexity to the composition, evoking a sense of harmony and balance.
The overall value and tonal range of the painting are subdued, with a predominantly gray background that serves to highlight the vibrant hues of the foreground elements. This contrast in value and tone helps to emphasize the focal points of the composition and creates a sense of depth and spatial relationships.
The surface texture of the painting appears to be relatively smooth, with a slightly matte finish that allows the viewer to focus on the interplay of line, shape, and color. This textural quality contributes to the overall visual cohesion of the work.
The overall design principles at play in this painting create a visually dynamic and engaging composition. The sense of unity is achieved through the consistent use of the web-like linear structure, while the variety in shape, color, and the asymmetrical balance introduce a sense of visual interest and movement. The emphasis is placed on the intricate, interconnected patterns that draw the viewer's eye across the canvas, evoking a sense of rhythm and harmony.
Eric Niebuhr
TPC#3
Formal Analysis
Formal Analysis of the Painting:
This abstract painting is characterized by a complex and visually striking composition that showcases the artist's masterful use of the formal elements of art.
Color:
The color palette is vibrant and dynamic, featuring a harmonious blend of warm and cool tones. Shades of pink, red, blue, and yellow are interspersed with more muted grays and browns, creating a visually striking composition.
The use of color is not confined to distinct areas, but rather it is integrated throughout the painting, leading the eye through the intricate web of forms.
Line and Shape:
The painting is dominated by a complex network of organic, intertwining lines and shapes. These create a sense of movement and energy, with curving and angular forms intersecting and overlapping to form a visually engaging structure.
The lines and shapes are not rigidly defined, but rather have a fluid, almost improvisational quality, adding to the overall dynamism and expressiveness of the work.
Texture:
The surface of the painting has a textural quality, with visible brushstrokes and a sense of materiality. This adds depth and tactility to the work, inviting the viewer to engage with it on a sensory level.
Composition and Balance:
The composition is asymmetrical, with the various forms and lines occupying the canvas in a balanced yet dynamic manner. There is a sense of tension and movement, as the eye is drawn from one element to the next, exploring the intricate web of relationships within the painting.
The overall composition maintains a strong sense of balance, with the various elements working together to create a visually cohesive and harmonious whole.
Rhythm and Repetition:
The repeated patterns and rhythmic elements within the painting, such as the curving lines and intertwining shapes, create a sense of visual rhythm. This repetition helps to unify the composition and guide the viewer's eye through the work.
The dynamic interplay of these various art elements and design principles results in a painting that is visually compelling, emotionally evocative, and invites the viewer to engage in a deeper exploration of its abstracted forms and expressive qualities.