Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Erin Lau - Reconfigurations
Erin Lau
Reconfigurations
Introductory comments
This diptych painting presents a dynamic and visually striking scene of an urban Chinese neighborhood. The use of bold, expressive line work and vibrant color creates a sense of energy and movement throughout the composition.
In the left panel, the dominant lines are the angular, gestural brushstrokes that define the figures and architectural elements. These dynamic lines suggest a sense of chaos and commotion, with the figures seemingly in motion against the busy backdrop. The use of contrasting colors, such as the intense pinks and blues, further enhances this feeling of visual dynamism.
The shapes in this panel are largely organic and fragmented, with the figures and buildings breaking down into abstract, angular forms. This contributes to the overall sense of visual complexity and tension within the composition. The forms also suggest a sense of depth and three-dimensionality, with the overlapping and intersecting shapes creating a sense of spatial depth.
The value and tone in the left panel are diverse, ranging from the deep, shadowy areas to the brightly illuminated sections. This creates a sense of contrast and hierarchy, drawing the viewer's eye to the most prominently lit areas. The use of color is equally vibrant and varied, with the intense hues of pink, blue, and black creating a visually striking and disorienting effect.
The right panel presents a calmer, more cohesive scene, with the dominant shapes and forms being the large, bold strokes that define the restaurant sign and the surrounding architectural elements. The color palette is more muted and harmonious, with the blues and pinks complementing each other to create a sense of visual unity.
The scale and proportion of the elements in the right panel also contribute to a sense of balance and stability, in contrast to the more chaotic and fragmented left panel. The symmetrical arrangement of the buildings and the prominent placement of the restaurant sign create a sense of visual emphasis and dominance.
Overall, the use of line, shape, form, value, color, and space in this diptych work together to communicate a sense of the energy, dynamism, and complexity of urban Chinese life. The contrast between the two panels, with their differing levels of visual intensity and coherence, creates a rich and multifaceted visual experience for the viewer.
Erin Lau
Reconfigurations
Formal Analysis
Formal Analysis of the Art work:
Line:
The left panel features bold, expressive brushstrokes that create a sense of dynamic movement and energy. The lines are angular and fragmented, contributing to the overall visual complexity of the composition. In contrast, the right panel has more defined, structural lines that delineate the architectural elements and signage.
Shape:
The shapes in the left panel are primarily organic and fragmented, with the figures and buildings breaking down into abstract, angular forms. This creates a sense of visual tension and disruption. The right panel, on the other hand, features more cohesive, geometric shapes that form the buildings and signage.
Form:
The three-dimensional forms in the painting are suggested through the use of value, modeling, and overlapping of shapes. The forms in the left panel appear more fragmented and distorted, while the forms in the right panel are more stable and defined.
Value/Tone:
The left panel features a wide range of values, from the deep, shadowy areas to the brightly illuminated sections. This creates a sense of contrast and hierarchy, drawing the viewer's eye to the most prominently lit areas. The right panel has a more even distribution of values, contributing to a sense of visual harmony.
Color/Hue:
The color palette in the left panel is vibrant and varied, with intense hues of pink, blue, and black creating a visually striking and disorienting effect. The right panel has a more muted and harmonious color scheme, with the blues and pinks complementing each other.
Texture/Surface:
The textural quality of the painting is evident in the gestural, expressive brushstrokes, particularly in the left panel. The surface appears to have a sense of movement and energy, reflecting the dynamic nature of the subject matter.
Space:
The use of overlapping shapes and the suggestion of depth create a sense of spatial depth in both panels. However, the left panel appears more fragmented and disoriented, while the right panel has a more stable and cohesive spatial arrangement.
Design Principles:
Unity:
The use of a consistent color palette and the repetition of certain visual elements (such as the architectural forms) create a sense of unity within each panel.
Variety:
The contrast between the two panels, with their differing levels of visual intensity and coherence, introduces a sense of variety and contrast within the overall work.
Emphasis:
The prominent placement and size of the restaurant sign in the right panel creates a strong visual emphasis, drawing the viewer's attention to this focal point.
Balance:
The symmetrical arrangement of the buildings and the signage in the right panel creates a sense of visual balance and stability, in contrast to the more dynamic left panel.
Harmony:
The more muted and harmonious color scheme in the right panel contributes to a sense of visual harmony and cohesion.
Movement:
The expressive brushstrokes and the fragmented, angular forms in the left panel create a sense of dynamic movement and energy.
Contrast:
The stark contrast between the two panels, in terms of their visual intensity, coherence, and color schemes, contributes to the overall impact and meaning of the work.
Through the skillful manipulation of these visual elements and design principles, the artist has created a diptych that effectively communicates the energy, complexity, and diversity of urban Chinese life.