Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
John Wong - 東坪洲落霞印象
John Wong
東坪洲落霞印象
Introductory comments
This painting appears to be a sweeping, abstract landscape depicting an urban skyline at sunset or sunrise. The overall composition is dominated by a strong diagonal line that extends from the lower left to the upper right, creating a sense of depth and movement.
The use of bold, expressive brushstrokes and a vibrant color palette, featuring warm oranges, yellows, and blacks, gives the work a moody, atmospheric quality. The textured, almost impasto-like surface adds to the dynamic, energetic feel of the painting.
While the landscape appears to be recognizable as a city skyline, the artist has abstracted and simplified the forms, creating a more subjective, emotive interpretation of the scene. The lack of distinct, detailed buildings or structures suggests a focus on the overall mood and atmosphere rather than specific architectural elements.
The composition is balanced, with the central mass of the cityscape counterbalanced by the darker, more gestural elements in the foreground and background. This creates a sense of visual harmony and unity, while the contrasting colors, textures, and brushwork add an element of visual tension and dynamism.
Overall, the painting seems to convey a sense of the power, energy, and ever-changing nature of the urban landscape, captured through the artist's expressive and abstracted language of paint.
John Wong
東坪洲落霞印象
Formal Analysis
Line: The painting is dominated by a strong diagonal line that extends from the lower left to the upper right, creating a sense of depth and movement. This diagonal line is complemented by a series of vertical and horizontal lines, which define the cityscape and surrounding elements.
Shape and Form: The shapes in the painting are largely organic and abstracted, with the cityscape represented through a series of loosely defined, overlapping forms. The foreground and background elements feature more amorphous, gestural shapes that contrast with the more structured urban forms.
Color and Value: The color palette is vibrant and expressive, featuring a range of warm oranges, yellows, and blacks. The strong contrast between the warm and cool tones, as well as the variations in value (light and dark), create a sense of depth and atmospheric effects.
Texture and Surface: The painting has a highly textured, almost impasto-like surface, with the artist's brushstrokes clearly visible. This adds to the dynamic, energetic quality of the work and enhances the sense of materiality.
Composition and Spatial Relationships: The composition is balanced, with the central mass of the cityscape counterbalanced by the darker, more gestural elements in the foreground and background. This creates a sense of visual harmony and unity, while the contrasting elements add an element of visual tension and dynamism.
The overall effect is a highly subjective, emotive interpretation of an urban landscape, with the artist using the formal elements of line, shape, color, texture, and composition to convey a sense of the power, energy, and ever-changing nature of the city.