Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
Kathy Fung
An afternoon in old Hong Kong-Dim Sum III
Introductory comments
This vibrant and visually engaging painting showcases a whimsical assortment of objects and elements that combine to create a harmonious and thematic composition.
The use of line is particularly prominent, with the organic, curving branches of the flowering plant contrasting with the geometric and linear forms of the birdcage, teapot, and other objects. These intersecting lines and shapes contribute to an overall sense of dynamism and movement within the frame.
The color palette is dominated by warm, earthy tones of yellow and brown, which create a cohesive and visually pleasing foundation. Accents of green, red, and blue add pops of contrast and visual interest, drawing the viewer's eye to key focal points within the composition.
The varied forms and textures of the objects, ranging from the smooth ceramics to the woven basket and the fuzzy pom-poms, introduce a sense of tactile richness and diversity. The interplay of these textural elements helps to create a sense of depth and dimensionality within the two-dimensional space.
The overall arrangement of the objects demonstrates a keen eye for balance and symmetry. While the composition is not entirely symmetrical, the placement and scale of the elements create a visually harmonious and well-proportioned scene. The repetition of similar shapes, such as the round forms of the pastries and teacups, reinforces this sense of balance and rhythm.
The inclusion of the birdcage, with its lone occupant, introduces an element of narrative and symbolism. This focal point, along with the flowering plant and the traditional Chinese-inspired teaware, suggests a sense of cultural identity and the interplay between nature, domesticity, and human experience.
Through the thoughtful and skillful integration of these various visual elements and design principles, the artist has crafted a captivating and evocative still life that invites the viewer to engage with the rich, layered symbolism and aesthetic qualities of the depicted scene.
Kathy Fung
An afternoon in old Hong Kong-Dim Sum III
Formal Analysis
This painting presents a cohesive and visually compelling still life composition, characterized by a dynamic interplay of color, shape, form, and texture.
The color palette is dominated by warm, earthy tones of yellow and brown, which create a harmonious foundation for the composition. Accents of green, red, and blue add vibrant pops of contrast, drawing the viewer's attention to key focal points within the frame.
The painting is defined by a variety of intersecting shapes and forms. The organic, curvilinear lines of the flowering branch contrast with the geometric, linear shapes of the birdcage, teapot, and other objects, introducing a sense of visual dynamism and movement. The repetition of rounded forms, such as the pastries and teacups, reinforces a rhythmic quality and a balanced sense of symmetry.
The diverse textures and materials represented, ranging from the smooth ceramics to the woven basket and the fuzzy pom-poms, add a tactile richness to the scene. This interplay of surfaces creates a heightened sense of depth and dimensionality within the two-dimensional space.
The careful arrangement of the objects demonstrates a keen eye for balance and proportion. While the composition is not strictly symmetrical, the placement and scale of the elements create a visually cohesive and harmonious scene. The strategic positioning of the focal points, such as the birdcage and the flowering branch, guides the viewer's eye through the composition.
The inclusion of the birdcage, with its lone occupant, introduces an element of narrative and symbolism. This motif, along with the traditional Chinese-inspired teaware and the flowering plant, suggests thematic associations with cultural identity, the interplay between nature and domesticity, and the human experience.
Through the skillful integration of these formal elements, the artist has crafted a visually captivating and conceptually engaging still life painting that invites the viewer to engage with its rich formal and symbolic qualities.