Campus Art Collection : A Sense of Place
- Eleanor McColl - Coca Cola Pop
- Dickie Suzuki - Monsoon Lion Rock
- June Ho - Acacia Tree By The Lane
- June Ho - gaai1 hau2 jau5 lok6
- Liu Siu Jane - Overlooking the Financial Centre
- Michelle Qiu - 街市 Market Diptych
- Eric Niebuhr - TPC#3
- Eric Niebuhr - TPC#5
- Annie Ho - fa yuen st
- Annie Ho - kowloon city
- Annie Ho - upper woche
- Margaret Goeden - Koi-Lung Tsai Ng Yuen “Secret Garden”
- Erin Lau - Reconfigurations
- Enoch Ho - A Sense of Place 2
- Cassandra Lau Po Yan - Floor Patch
- Cassandra Lau Po Yan - Garden and Estate
- Amrita Tandon - Clearwater Bay
- Eleanor McColl - Follow Suit
- Darren Munce - Sigmars Smallgoods
- Darrren Munce - The Raft
- Michael Beare - Second Wind
- Bruce Lattimer - Trees at Sea
- Anh Nguyen - Koi Kite in Winter
- Anh Nguyen - Lunar New Year Lunch Dream
- Anh Nguyen - Crane in Thirroul
- Anh Nguyen - Lawrence Hargrave from the Petrol Station
- Henry Jock Walker - Constable Clifford and the Gypsy Sea Turtle
- Henry Jock Walker - Pier and Ocean (After Mondrian and Ripcurl Thernalite)
- Halinka Orszulok - Lace Curtain
- Halinka Orszulok - On the Outside
- Riste Andrievski - The Tin Hart circulation (Beating heart of Port Kembla)
- Riste Andrievski - Vivid Port
- Riste Andrievski - Industrial Steel (Port Kembla)
- Julia Flanagan - Everything Has Changed
- Michael Beare - Trader
- Salvatore Zofrea - Illawarra Flame Tree and Bowerbird
- Ashley Frost - Escarpment Forest
- Kathy Fung - Dragon's Back
- Chau Sau Lan - Street Food Stalls in Mongkok
- Anthony Chan - As Life Goes By
- Kathy Fung - An afternoon in old Hong Kong-Dim Sum III
- Chau Sau Lan - Workers on a Mongkok Footbridge
- John Wong - 東坪洲落霞印象
- Henry Jock Walker - Telekinesis
- Zuza Zochowski - Illawara Day and Night
Zuza Zochowski - Illawara Day and Night
Zuza Zochowski
Illawara Day and Night
Introductory comments
This is a mixed-media landscape painting or collage depicting a rural, mountainous scene. The work combines various elements and mediums to create a vibrant and dynamic visual composition.
The overall composition has a sense of balance and harmony, with the various shapes, colors, and textures working together to form a cohesive scene. The use of line and shape is evident in the treatment of the buildings, mountains, and other landscape features, which are rendered in a semi-abstract, almost cubist style.
The color palette is vibrant, with a mix of bright greens, yellows, and blues contrasted by the darker hues of the mountains and shadows. This use of color, along with the interplay of light and shadow, creates a sense of depth and atmosphere within the scene.
Textural elements, such as the visible brushstrokes and the incorporation of collage materials, add visual interest and a sense of tactility to the work. The varied surface textures contribute to the overall visual rhythm and movement within the composition.
The scale and proportion of the elements also play a role in the work's overall impact, with the larger, more dominant landscape features balanced by the smaller, more detailed elements like the buildings and vegetation. This creates a sense of depth and visual hierarchy, drawing the viewer's eye through the scene.
Overall, the use of mixed media and the integration of various design elements work together to create a visually striking and evocative landscape painting, capturing the essence of a rural, mountainous environment through a unique and imaginative artistic lens.
Zuza Zochowski
Illawara Day and Night
Formal Analysis
Composition:
The overall composition has a panoramic, horizontal format that creates a sense of expansive space. The layout divides the canvas into distinct zones, with the central landscape flanked by smaller vignettes on either side. This asymmetrical balance adds visual interest and movement.
Line:
The lines in the piece vary in character - the buildings and structures feature more angular, geometric lines, while the mountains and vegetation have more organic, curvilinear lines. This contrast creates visual rhythm and dynamism.
Shape:
The shapes range from the geometric forms of the architectural elements to the more amorphous, organic shapes of the natural features. This variety in shape helps to create a sense of depth and three-dimensionality.
Color:
The palette is vibrant and saturated, with a harmonious blend of greens, blues, yellows, and pops of contrasting hues. The colors work together to establish a cohesive, atmospheric quality.
Texture:
The mixed-media approach introduces a variety of textural qualities, from the smooth, brushed areas to the layered, collaged elements. This textural diversity adds depth and tactility to the overall visual experience.
Space:
The painting creates a sense of both shallow and deep space. The layered, overlapping elements in the central landscape give a sense of depth, while the smaller vignettes on the sides flatten the space, creating visual tension.
Overall, the formal elements work in concert to produce a dynamic, engaging landscape painting that combines realism and abstraction to evoke a specific sense of place and atmosphere. The varied use of line, shape, color, and texture creates a visually rich and compelling composition.